Posts Tagged ‘fake’

Great News for REFF, RomaEuropa FakeFactory!

REFF logo, RomaEuropa FakeFactoryREFF logo, RomaEuropa FakeFactory

RomaEuropa Web Factory’s second edition is about to start up.

REFF attended the press conference held at the Opificio Telecom in Rome, on Wednsday September 16h 2009, to check out the informations that were being diffused on the web about the innovations of this year’s edition of the Fondazione Romaeuropa’s networked competition.

While watching the press conference, it seemed as if we were looking in the mirror. Because RomaEuropa WebFactory 2009/2010 edition is actually indistinguishable from last year’s RomaEuropa FakeFactory!

  • Open licenses.
  • The works are remixes of existing ones.
  • Democratic voting.
  • Experts and academics evaluating the submitted works through their reviews

All of these things are going to be included in this year’s RomaEuropa WebFactory, whose structure, thus, becomes indistinguishable from the FakeFactory!

And there’s more.

Beatpick. Beatpick is part of REFF, and they are the main partner form the music section (100Samples). Beatpick has been called to manage RomaEuropa WebFactory’s music section for this year’s competition.

Summing up: same rules, open lincenses adoption, same practices, and even our main music partner handling the music section.

:)

We think that this is a great victory.

RomaEuropa WebFactory adopted all of the instances suggested by REFF’s critique. And we’re happy about it.

And we even got proper credit for the effectiveness of our action: REFF was mentioned multiple times during the press conference as the main factor bringing on this year’s change.

It’s not over, yet.

REFF project goes on by producing about 3 minor events by the end of the year, with one to present the publication that includes the academic productions of our scientific committee.

And then, in 2010, we’ll have an enormous initiative. But we’ll leave it as a little suspence for the next few days. :)

Stay Tuned!

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from Art is Open Source

full info, pictures and videos at Art is Open Source

REFF.erence

Mar. 20th, Italian Senate – Senato

REFF, RomaEuropaFAKEFactory, was presented at the Italian senate through an intense series of panels dealing with art/culture/creativity in the contemporary era, with the issues of cultural politics from the points of view of institutions and cultural operators, with the possibility for the enactment of innovative business and legal models for art, creativity and culture. the conference launch the proposal of a digital table of discussion with the Senator & vice president of the Cultural Commission Vincenzo Vita, who hosted the event.

REFF, RomaEuropaFAKEFactory, è stata presentata al Senato Italiano attraverso un’intensa serie di panel che hanno trattato temi quali arte/cultura/creatività nel contemporaneo affrontando nodi quali le politiche culturali dal punto di vista degli operatori e delle istituzioni pubbliche e private, orientando il dibattito all’ideazione di nuovi modelli di produzione. La conferenza lancia la proposta di un tavolo sulla cultura digitale con il Senatore Vincenzo Vita vicepres. della Commissione Cultura, che ha ospitatol’evento.

REFF.ternoon

Mar. 21st, Flexi Bookstore

REFF, RomaEuropaFAKEFactory, hosts the second part of REFF.ERENCE at the Libreria Flexi with the title REFF.ternoon. The presentation of Luca Neri’s new book “La Baia dei Pirati – Assalto al Copyright” is the occasion to discuss the issues of intellectual property, cultural change, and innovative practices, at the basics of REFF’s concept.

REFF, RomaEuropaFAKEFactory, ospita la seconda parte di REFF.RENCE alla libreria Flexi con il titolo REFF.ternoon. La presentazione del libro del giornalista Luca Neri “La Baia dei Pirati – Assalto al Copyright” diventa l’occasione di affrontare tematiche sulla proprietà intellettuale, trasformazione culturale e pratiche innovative che sono alla base del concept del REFF.

REFF.jected Mar. 21st NEO Club

In a wonderful collaboration with the Rejected collective, REFF, RomaEuropaFAKEFactory, arrives at the third part of its traversal of the contemporary metropolis, with REFF.jected, a party themed on the “remixing people” attitude. Bodies-desires-sexualities-..aesthetics-faces-ideas are remixed by accessing Rome’s underground attitudes and mindsets: Djs. Vjs, Liv acts, dance floors, installations, performances promoting happiness.

In splendida collaborazione con il collettivo Rejected, REFF, RomaEuropaFAKEFactory, arriva alla terza parte dei suoi attraversamenti nella metropoli contemporanea, con REFF.jected; un party con l’attitudine “remixing people”. Corpi-desideri-sessualità-..estetiche-facce-idee sono remixate penetrando nelle frequenze e nei mind sets della Roma underground con Djs, Vjs, Live Sets, Dancefloors, installazioni, perfomances alla volta della felicità.

“I am Orson Welles.
I never really wanted to join Roma Europa Web Factory.
I understand the beauty and significance of a fake.
As for my style, for my vision of the cinema, editing is not simply one aspect; it’s the aspect.
Fake is as old as the Eden tree.
Today I believe that man cannot escape his destiny to create whatever it is we make:
jazz, a wooden spoon, or graffiti on the wall.
All of these are expressions of man’s creativity, proof that man has not yet been destroyed by technology.
But are we making things for the people of our epoch or repeating what has been done before?
And finally, is the question itself important?
We must ask ourselves that.
The most important thing is always to doubt the importance of the question.
I am Orson Welles.
I never really wanted to join Roma Europa Web Factory.”

Orson Welles is one of the most influential artists of the contemporary era, touching the domains of cinema, theatre, fiction, radio in a continuous research that trespasses the borders between art, communication, psychology, performance.
His works gave us the chance to perceive art’s transformation, in a form in which art and falsificaion are divided by boundaries that are ethereal and fluid, eventually overlaying and touching.

Orson Welles’ “the War of the Worlds” radio performance was rejected by the RomaWuropa Web Factory competition.

“This is not original work!” was the scream of the Jury.

Orson Welles now joined RomaEuropaFAKEFactory, here:

http://www.romaeuropa.org

REFF RomaEuropa FAKE Factory

REFF RomaEuropa FAKE Factory

Say what?!
RomaEuropaFAKEFactory at the Italian Senate?!?

www.romaeuropa.org

Andy Warhol – rejected from the RomaEuropaWebFactory Prize

—–

http://www.romaeuropa.org

“I am Andy Warhol.
I could not participate to RomaEuropaWebFactory.
A fake, a fake, what is a fake, anyway?
Nothing is real, the only real things are the ones
that you can reproduce, and make millions of them.
Take a thing everybody knows, change it a bit, and claim it as yours.
This is what our world is about.
We can do it! This is what we should do.
I am Andy Warhol.
I could not participate to RomaEuropaWebFactory.
Noone cares about originality. Originality is just too hard to define.
Go to a supermarket, buy one of everything, and expose it in a gallery.
This is what we should do.
I am Andy Warhol.
I could not participate to RomaEuropaWebFactory.”

Andy Warhol’s appropriations of the images and of the media, performed by mechanically reproducing commercial products and celebrity images in silkscreens, smooth paintings and facsimiles, poetically expressed some of the most striking and relevant approaches to art of the 20th century. Andy Warhol’s video was rejected from the videoart section of the RomaEuropa Web Factory.

“This is not original work!” was the scream of the Jury.

Andy Warhol now joined RomaEuropaFAKEFactory, here:

http://www.romaeuropa.org